18-year-old Sana wakes up every day at 6am in the apartment she shares with her three sisters and mother on the outskirts of Berlin. She rides the S-Bahn 45 minutes across town and shows up for class by 8am. In school she learns history, geography and math but mostly she learns German. It's a far cry from her life in Kabul, Afghanistan where, instead of going to school or learning how to read and write, she worked as a hairdresser. Now, five days a week Sana goes to school. Once a week she leaves school and puts on borrowed football cleats to join her teammates at Champions ohne Grenzen, a football team for refugee women in Berlin, Germany. The players come from Afghanistan, Iran, Syria, Somalia and Albania. For most of them, this is the first time they have ever played football.

RISE is a photo and text based book project exploring the players' experiences both on and off the field – at home, with family, navigating German bureaucracy and growing as they become contributing members of their communities. In Berlin since the mass wave of migration in 2015, the women have spent the past few years learning German, going to school and establishing new lives. Two years in the making, the final work combines photography, journals, texts, interviews, poems and drawings in exhibition and book form. It is an intimate portrait of a group of young women and the highs and lows inherent in establishing a new life in a different culture.

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Two villages, one name; one Schönborn sits in Transcarpathia in Ukraine, the other in Niederlausitz in Brandenburg, Germany. By chance they share a name but, at first glance, little else. The tiny Ukrainian village of 300 people was named after a 17th century Earl who settled German farmers and craftspeople in the then Austrian Empire's empty outskirts; the small German town was named after a still active natural spring. As the towns evolve, the Ukrainian village has been settled by ethnic Ukrainians and German is only occasionally still heard on the one main road. The German Schönborn is being reinvigorated by people immigrating back to the small towns outside of Berlin as well as by a small refugee population being housed in vacant prefabricated post-war buildings.

Under Alexa Vachon's watchful eye, similarities, differences and shared characteristics reveal themselves. Both villages experienced mass emigration in the early 1990s, after German reunification and Ukrainian independence, but managed not to be swallowed up by nearby towns. What does the future hold for each village as people around the world settle in large cities? How do national identity, language and religion present themselves in each village's customs and traditions?  The project Schönborn – Parallel Living traces the people who make a place a home.

what we do in the light is an exploration of the motivations behind queer and feminist pornography; it focuses on the individuals who make porn happen (performers, directors, producers) and the “whys” and “hows” of pornography. Through portraits, images of sex and on-porn-set photography, the project challenges the viewer’s ideas of what queer and feminist porn is and what it means.